The effects team at Milk VFX describes how they (supported by Egg VFX) created a futuristic London, a spaceship crash, an asteroid field, a submerged planet and a spacewalk for Sky TV’s sci-fi series Intergalactic.

Lotta Forssman, Visual Effects Supervisor at Molecule VFX, reveals how Molecule helped conjure up young Emily Dickinson’s world – from ornate, early 19th century house interiors to a printing press, a giant hedge maze and visuals associated with her poems, such as ghost horses pulling a “death carriage” – for the Apple TV comedy-drama.

REALTIME VFX Visual Effects Supervisor Sue Land discusses the development of key characters Goodboy and the Noble Dragon for BBC America’s The Watch.